max / makeover
| 1 | //! Typography — layer 1 of the house font model. |
| 2 | //! |
| 3 | //! Wiki `typography-standard`. The model is three layers: an app override, the |
| 4 | //! house default, then a system generic, and this is the middle one. Two needs, |
| 5 | //! two names, and no others in the suite: |
| 6 | //! |
| 7 | //! ```text |
| 8 | //! --font-mono Quasi Mono -> monospace |
| 9 | //! --font-sans Quasi Body -> sans-serif |
| 10 | //! ``` |
| 11 | //! |
| 12 | //! Both are cut by `quasi-type` from the Atkinson Hyperlegible superfamily plus |
| 13 | //! the house glyph set. This crate does not cut them and cannot: quasi-type is |
| 14 | //! `publish = false` and makeover is on crates.io, so the cut lives in each |
| 15 | //! consumer's own build script (`quasi_type::cut`, taken as a git dependency, |
| 16 | //! the way `shop-font` does it). What lives here is the vocabulary, which is |
| 17 | //! the half that was scattered. |
| 18 | //! |
| 19 | //! Font is not a theme's business and none of this is themeable. A theme |
| 20 | //! declares colour by role; nothing in a theme file names a face, and the two |
| 21 | //! tokens below are the same in every theme. That is why they are constants |
| 22 | //! rather than another section of `SemanticTokens`, and why they belong in a |
| 23 | //! stylesheet generated once at build time rather than in the block that gets |
| 24 | //! re-injected on a theme switch. |
| 25 | //! |
| 26 | //! The brand/display tier is out of scope, per product and by decision: Young |
| 27 | //! Serif on MNW, Reglo in GoingsOn, Departure Mono on Alloy, audiofiles' logo |
| 28 | //! face. No renderer emits them and no described screen resolves a token to |
| 29 | //! one, so they keep their own `font-family` until the app-override layer |
| 30 | //! lands and gives them a place to be declared. |
| 31 | |
| 32 | use crateFontSlot; |
| 33 | |
| 34 | /// The mono slot: code, data, identifiers, cell grids, anything monospaced. |
| 35 | pub const FONT_MONO: &str = "\"Quasi Mono\", monospace"; |
| 36 | |
| 37 | /// The body / UI slot. Everything that is not the mono slot or brand tier. |
| 38 | pub const FONT_SANS: &str = "\"Quasi Body\", sans-serif"; |
| 39 | |
| 40 | /// The family name inside [`FONT_MONO`], on its own, for a consumer that needs |
| 41 | /// the name rather than the stack. A test asserts the two agree. |
| 42 | pub const HOUSE_MONO_FAMILY: &str = "Quasi Mono"; |
| 43 | |
| 44 | /// The family name inside [`FONT_SANS`]. See [`HOUSE_MONO_FAMILY`]. |
| 45 | pub const HOUSE_SANS_FAMILY: &str = "Quasi Body"; |
| 46 | |
| 47 | /// The weight range both house faces carry. |
| 48 | /// |
| 49 | /// They are variable, `wght` 200-800, and a declaration that omits the range |
| 50 | /// makes every weight resolve to the file's default instance — which is |
| 51 | /// ExtraLight, because a cut keeps its base's default. |
| 52 | pub const HOUSE_WEIGHT_RANGE: &str = "200 800"; |
| 53 | |
| 54 | /// Filename a consumer writes the cut mono face to, under its own font URL. |
| 55 | /// |
| 56 | /// `quasi-type` writes `QuasiMono[wght].woff2`, naming the variable axis the |
| 57 | /// way a font tool expects. Those brackets have to be percent-encoded to |
| 58 | /// survive a URL and are a bug waiting to be written, so the web copy takes a |
| 59 | /// plain name and the two places that have to agree — the build script that |
| 60 | /// writes the file and the `@font-face` that fetches it — agree through this |
| 61 | /// constant rather than by both spelling it out. |
| 62 | pub const WEBFONT_MONO_FILE: &str = "QuasiMono.woff2"; |
| 63 | |
| 64 | /// Filename a consumer writes the cut body face to. See [`WEBFONT_MONO_FILE`]. |
| 65 | pub const WEBFONT_SANS_FILE: &str = "QuasiBody.woff2"; |
| 66 | |
| 67 | /// The house font tokens as CSS declarations (no selector), for a caller that |
| 68 | /// is composing its own block. |
| 69 | |
| 70 | format! |
| 71 | |
| 72 | |
| 73 | /// The house font tokens as a `:root { … }` block. |
| 74 | /// |
| 75 | /// Inlined by surfaces that cannot link a stylesheet — the MNW embeds are the |
| 76 | /// live case — and written to a file by everything else, through |
| 77 | /// `makeover_build::typography_css`. |
| 78 | |
| 79 | format! |
| 80 | |
| 81 | |
| 82 | /// The `@font-face` rules for both slots, fetching from `base_url`. |
| 83 | /// |
| 84 | /// `base_url` is the directory the consumer serves its fonts from, without a |
| 85 | /// trailing slash: `/static/fonts` on the MNW server, `fonts` for a Tauri |
| 86 | /// frontend loading relative to its index. |
| 87 | /// |
| 88 | /// # `font-weight: 200 800`, which is the part that bites |
| 89 | /// |
| 90 | /// Both faces are variable over `wght` 200-800 in one file, and the mono |
| 91 | /// face's **default instance is ExtraLight** — that is upstream Atkinson's |
| 92 | /// default and the cut keeps the axis rather than pinning a master, so a |
| 93 | /// consumer that loads the file and takes what it opens at draws its whole UI |
| 94 | /// at 200. Declaring the range here is what makes the browser resolve `normal` |
| 95 | /// to 400 and `bold` to 700 instead. shop hit the same trap from the other |
| 96 | /// side and names `wght` 400 explicitly in its shaper; this is the web's |
| 97 | /// version of that fix, stated once for every consumer. |
| 98 | /// |
| 99 | /// `font-display: swap` on both: the faces are 31KB and 50KB, they are cached |
| 100 | /// hard after the first paint, and a flash of the fallback beats invisible |
| 101 | /// text either way. |
| 102 | |
| 103 | // Rendered from the same `FontFace` a product override uses, rather than |
| 104 | // written out here a second time. It used to be a format string, which is |
| 105 | // why the house tier could be emitted and not read. |
| 106 | let base = base_url.trim_end_matches; |
| 107 | ALL |
| 108 | .iter |
| 109 | .filter_map |
| 110 | .map |
| 111 | .collect |
| 112 | |
| 113 | |
| 114 | |
| 115 | |
| 116 | use *; |
| 117 | |
| 118 | // ---- typography ---- |
| 119 | |
| 120 | |
| 121 | |
| 122 | let css = typography_css_vars; |
| 123 | assert!; |
| 124 | assert!; |
| 125 | assert!; |
| 126 | |
| 127 | // Layer 2 is one hop and no further. A third entry in either stack is |
| 128 | // the shape the standard exists to delete: a chain nobody can predict |
| 129 | // the metrics of, which is what `--font-sans: -apple-system, |
| 130 | // BlinkMacSystemFont, 'Segoe UI', Roboto, ...` was in three apps. |
| 131 | for stack in |
| 132 | assert_eq!; |
| 133 | |
| 134 | |
| 135 | // Two tokens, and no others. `--font-body`, `--font-heading` and |
| 136 | // `--font-display` are gone or out of scope; a token appearing here |
| 137 | // is a fifth answer to a question that has two. |
| 138 | assert_eq!; |
| 139 | |
| 140 | |
| 141 | |
| 142 | |
| 143 | let css = font_face_css; |
| 144 | |
| 145 | assert_eq!; |
| 146 | assert!; |
| 147 | assert!; |
| 148 | |
| 149 | // The trap. Atkinson Hyperlegible Mono's default instance is |
| 150 | // ExtraLight and the cut keeps the axis, so a `@font-face` that omits |
| 151 | // the range draws the whole UI at 200. |
| 152 | assert_eq!; |
| 153 | |
| 154 | // The families have to be exactly what the tokens ask for, or the |
| 155 | // stack falls through to the generic and the face is dead weight. |
| 156 | for family in |
| 157 | let quoted = family.split.next.unwrap; |
| 158 | assert!; |
| 159 | |
| 160 | |
| 161 | |
| 162 | |
| 163 | |
| 164 | assert_eq!; |
| 165 | assert!; |
| 166 | |
| 167 | |
| 168 |